Fausto Gilberti, illustrator and artists, takes us by the hand to show us the art of Jackson Pollock, the brilliant and restless painter. An artist who is not going to sit still in front of an easel with brushes and palette in hand, but one who found his very own way of painting: he dripped, splashed and made the colours run all over the rolled-out canvas with the energy and gr...(展开全部)

史蒂芬·奈菲（Steven Naifeh）、格雷高里·怀特·史密斯（Gregory White Smith），两人均毕业于哈佛大学法学院。奈菲还在普林斯顿大学修读了艺术史专业，研究生期间则是在哈佛大学佛格艺术馆学习；艺术期刊撰稿人，曾在美国国家艺术博物馆等多地做讲座。两人合作出版了多部著作，并多次荣登《纽约时报》畅销榜单。其中，《波洛克传》获普利策奖。两人合作出版的《梵高传》中译本（译林出版社，2015）畅销数年，发行数万册。

Jackson Pollock was more than a great artist, he was a creative force of nature. He changed not only the course of Western art, but our very definition of "art." He was the quintessential tortured genius, an American Vincent van Gogh, cut from the same unconforming cloth as his contemporaries Ernest Hemingway and James Dean--and tormented by the same demons; a "cowboy artist" w...(展开全部)

First published in 1985, Pollock and After established itself as a widely-read and highly influential collection of key writings on Abstract Expressionism. This revised edition, featuring ten new articles, is fully updated to take account of new critical approaches to post-war American art. Contributors: Anna C. Chave, T J Clark, Eva Cockcroft, David Craven, Michael Fried, An...(展开全部)

In Influx and Efflux Jane Bennett pursues a question that was bracketed in her book Vibrant Matter: how to think about human agency in a world teeming with powerful nonhuman influences? “Influx and efflux”—a phrase borrowed from Whitman's "Song of Myself"—refers to everyday movements whereby outside influences enter bodies, infuse and confuse their organization, and then exit,...(展开全部)

In Influx and Efflux Jane Bennett pursues a question that was bracketed in her book Vibrant Matter: how to think about human agency in a world teeming with powerful nonhuman influences? “Influx and efflux”—a phrase borrowed from Whitman's "Song of Myself"—refers to everyday movements whereby outside influences enter bodies, infuse and confuse their organization, and then exit,...(展开全部)

'What is abstract art good for? What's the use - for us as individuals, or for any society - of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?' In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at ...(展开全部)

'What is abstract art good for? What's the use - for us as individuals, or for any society - of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?' In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at ...(展开全部)

Thanks to Facebook and Instagram, our childhoods have been captured and preserved online, never to go away. But what happens when we can’t leave our most embarrassing moments behind? Until recently, the awkward moments of growing up could be forgotten. But today we may be on the verge of losing the ability to leave our pasts behind. In The End of Forgetting, Kate Eichhorn explo...(展开全部)

Thanks to Facebook and Instagram, our childhoods have been captured and preserved online, never to go away. But what happens when we can’t leave our most embarrassing moments behind? Until recently, the awkward moments of growing up could be forgotten. But today we may be on the verge of losing the ability to leave our pasts behind. In The End of Forgetting, Kate Eichhorn explo...(展开全部)